Publié : mar. mars 25, 2008 1:22 am
Citation :American Idol: Carly Hennessy 2.0
It's impossible to take a serious look at this crazy-cool season of American Idol and not consider the strange case of Carly Smithson.
Smithson, the Irish-born 24-year-old and former Carly Hennessy who once opened for Bryan Adams (at Dublin Castle, in 2002, according to an old MCA Records web page) has arguably been Idol's most consistent performer to date.
Consistency didn't count for much last week, though, as she found herself in the bottom three, in the first real shock result of the season.
Tonight, when Smithson takes the Idol stage as one of the Top 10 finalists, she will step into the spotlight as a sudden long-shot for the Idol crown, which will be decided in a final performance program on May 20 at Los Angeles' just-opened Nokia Theatre. This season's Idol will be revealed to an expected TV audience of some 40 million viewers the following night, on May 21. And while the road between here and there is long and winding, it would be naive to assume Smithson can't get there.
Smithson isn't the "undiscovered talent" Idol claims to be looking for, though, and that may prove to be her biggest burden. In 2000, as Carly Hennessy, she signed a six-album deal with MCA. It ended badly for MCA, but worse for her: Her debut single sold fewer than 400 copies. MCA decided to go in a different direction, to use an overworked industry insider expression. Her dreams shaken, she gave up hope of ever becoming a professional singer, moved to Los Angeles, married and opened a tattoo parlour.
Now, she might — just might, mind you — get the second chance to top all second chances. Cinderella story or premeditated ploy on the part of Idol's producers, it'll ultimately be up to the fans to decide. If last week's bottom-three result was any indication, those fans may not be in the mood for a seasoned — if unlucky — performer to challenge for the Idol crown just yet.
This much is certain, though. Smithson/Hennessy has played an incalculable role in making Idol what it is this season. If nothing else, fans can be reasonably sure that she'll hit every note and remember all the lyrics tonight.
You can't always say that of Idol frontrunners.
When she flashed in defiance at Simon Cowell last week, her emotion was genuine. Her pain and vulnerability were real there for all to see. It was the kind of emotional moment that makes Idol — at its heart, little more than a dialed-up karaoke contest — one of the most unpredictable and compellingly watchable reality competitions on television today.
"I was very afraid to come and audition for the show," she told Cowell, after he criticized her song choice. ("So, Beatles song, week two," Cowell said, "and you choose a song about a blackbird. I don’t think that was a very smart thing to do.")
Smithson's Irish accent, suppressed throughout this whole Idol process, suddenly broke through as she dug down. Strain will do that to one.
"Why the lyrics — 'Blackbird,' 'fly,' 'broken wing,'" she said. "I just feel like I've been trying, we've all been trying, to break this industry for so long, and you get beaten down so hard you feel broken. For me, it's like blackbird, fly. I know that's corny, but . . . now I'm here, and I'm so happy."
It was her Obama moment.
Tonight, her journey continues. And tomorrow — if she's not careful, and if last week's bottom-three finish was a sign of things to come — her journey may end.
That's the nature of American Idol in this strange, ever-so-crazy season.
source:
http://communities.canada.com/shareit/b ... y-2-0.aspx
It's impossible to take a serious look at this crazy-cool season of American Idol and not consider the strange case of Carly Smithson.
Smithson, the Irish-born 24-year-old and former Carly Hennessy who once opened for Bryan Adams (at Dublin Castle, in 2002, according to an old MCA Records web page) has arguably been Idol's most consistent performer to date.
Consistency didn't count for much last week, though, as she found herself in the bottom three, in the first real shock result of the season.
Tonight, when Smithson takes the Idol stage as one of the Top 10 finalists, she will step into the spotlight as a sudden long-shot for the Idol crown, which will be decided in a final performance program on May 20 at Los Angeles' just-opened Nokia Theatre. This season's Idol will be revealed to an expected TV audience of some 40 million viewers the following night, on May 21. And while the road between here and there is long and winding, it would be naive to assume Smithson can't get there.
Smithson isn't the "undiscovered talent" Idol claims to be looking for, though, and that may prove to be her biggest burden. In 2000, as Carly Hennessy, she signed a six-album deal with MCA. It ended badly for MCA, but worse for her: Her debut single sold fewer than 400 copies. MCA decided to go in a different direction, to use an overworked industry insider expression. Her dreams shaken, she gave up hope of ever becoming a professional singer, moved to Los Angeles, married and opened a tattoo parlour.
Now, she might — just might, mind you — get the second chance to top all second chances. Cinderella story or premeditated ploy on the part of Idol's producers, it'll ultimately be up to the fans to decide. If last week's bottom-three result was any indication, those fans may not be in the mood for a seasoned — if unlucky — performer to challenge for the Idol crown just yet.
This much is certain, though. Smithson/Hennessy has played an incalculable role in making Idol what it is this season. If nothing else, fans can be reasonably sure that she'll hit every note and remember all the lyrics tonight.
You can't always say that of Idol frontrunners.
When she flashed in defiance at Simon Cowell last week, her emotion was genuine. Her pain and vulnerability were real there for all to see. It was the kind of emotional moment that makes Idol — at its heart, little more than a dialed-up karaoke contest — one of the most unpredictable and compellingly watchable reality competitions on television today.
"I was very afraid to come and audition for the show," she told Cowell, after he criticized her song choice. ("So, Beatles song, week two," Cowell said, "and you choose a song about a blackbird. I don’t think that was a very smart thing to do.")
Smithson's Irish accent, suppressed throughout this whole Idol process, suddenly broke through as she dug down. Strain will do that to one.
"Why the lyrics — 'Blackbird,' 'fly,' 'broken wing,'" she said. "I just feel like I've been trying, we've all been trying, to break this industry for so long, and you get beaten down so hard you feel broken. For me, it's like blackbird, fly. I know that's corny, but . . . now I'm here, and I'm so happy."
It was her Obama moment.
Tonight, her journey continues. And tomorrow — if she's not careful, and if last week's bottom-three finish was a sign of things to come — her journey may end.
That's the nature of American Idol in this strange, ever-so-crazy season.
source:
http://communities.canada.com/shareit/b ... y-2-0.aspx